Doppelkreuz

The mid-1980s began the return to the Byzantine Orthodox culture of its origin. This resulted in the concentration on the Orthodox cross as a picture reason (double cross). These series of images continued monochrome painting on its own and named the invisible cultural boundary between the post-Latin West and the post-Byzantine East.

Artcollector, 2018
"Auf dem Auktionsmarkt sind die Werke von Haralampi G. Oroschakoff derzeit kaum zu finden. Man sollte dennoch nach ihnen suchen. Denn mit ihrem Rückgriff auf orthodoxe religiöse Traditionen präsentieren sie eine markante Position im aktuellen Kunstdiskurs...." To read more please view the article in news/2018.

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Different Worlds

"A  displaced person without a homeland is destined to be an eternal traveller. His painterly compositions invite us to depart on imaginary journeys to places whose borders lie outside the familiar artistic topography that focuses on Western Europe. …"
Marie-Louise von Plessen,
Déjà vu in this World – the artist as cartographer.

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