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VIDEO

Moving image and performance documentation form an essential pillar of Haralampi G. Oroschakoff’s conceptual vocabulary. Beginning in Vienna in the late 1970s, his cinematic projects emerged from cross-disciplinary experiments that fused drawing, staging, narrative photo-novels, and durational actions.

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Developed in close collaboration with actors, filmmakers, and collaborators, most notably Robert Hunger-Bühler, Karl Welunschek, Paul Jenewein, and Michael Epstein—these works explore themes of alienation, geopolitical rupture, historical memory, and the tension between institutional containment and total artistic freedom. From early video actions recorded at the Konzerthaus Wien to festival screenings, Oroschakoff’s moving image practice challenges conventional cinematic narrative, treating the recorded frame as an extension of the Gesamtkunstwerk.

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Lampos, 1987, 3:56 Min
Taken in the exhibition „Ort der Leidenschaft“, Kunstraum Munich

Music: Boris Christoff and Narodni Chor Sofia / A. Newskij Chram

„Liturgia Domestica“ by A. Gretchaninov, 1979
Realisation: Target Film Gmbh
copyright: Haralampi G. Oroschakoff, 1987
A Place of Passion (orig.: Ort der Leidenschaft)
Kunstraum Munich 1987
Already in the title of this video installation, the metaphysical conception resounds, as a realisation that all artistic production conditions nothing other than a continuous registration of reciprocal world views. The "double cross" as a spiritual-cultural sign of the "other Europe in the East" belongs to the space as a broken mirror, filling it with emotion as a body of sound. The field of ears opposite, the wheat in its moving yellow splendour, has meant a basic nutrient for body and soul since the beginning of time in harmony with the cultivated nature.

Ich habe geträumt, ich bin aufgewacht,
1980,8 min 45 s

Robert Hunger-Bühler, Dusty Sprengnagel, Michaela Scheday, Günther Brodar, John Weiler, Mike Troy, et al.

Video: Franz Riess/Haral Oroschakoff

Space: Georg Resetschnig

Sound: Alfred Rubatschek

Technic: Ernst Schmidt jun.

Communication rent

Ensemble Theater in the Concert hall, Vienna 1979

Copyright© Haralampi G. Oroschakoff, 1980

Käfig-Freiraum
Projekt, 1981, 9min

Museum Moderner Kunst, Vienna

Camera: Franz Riess

Assistance: Walter Wopova

Photo: Gerhard Heller

Copyright© Haralampi G. Oroschakoff, 1981

Der Heilige Berg, 1982, 18 min 18 s

Kunstforum Lenbachhaus, Munich
Steirischer Herbst, Graz
Wiener Sezession
Haralampi G. Oroschakoff, Robert Hunger-Bühler, Susanne Widl and William Mang
Camera: Franz Riess
Photo: Gerhard Heller
Technical assistance: Dennis Weihss, Christian Wagner
Sculpture: Robert Klima
Edition Hohenthal und Bergen, Munich/Cologne

Alle Herrlichkeiten dieser Erde,
1984, 39min 40 s

Haralampi G. Oroschakoff, Robert Hunger-Bühler, Kim
Photo/Video: Dr. Peter Herrmann
Coiffeur: Erich 
Style: Saša
Text collages by Konrad Bayer, Georgio de Chirico, Hölderlin
Stronglehold (studio version 1984) of Ted Nugent
Atelier Oroschakoff, Goldeggasse/Pasquali, Vienna
Copyright© Haralampi G. Oroschakoff, Vienna, 1984
Edition Hohenthal und Bergen, Munich/Cologne

Lampos, 1987, 3:56 Min
Taken in the exhibition „Ort der Leidenschaft“, Kunstraum Munich

Music: Boris Christoff and Narodni Chor Sofia / A. Newskij Chram „Liturgia Domestica“ by A. Gretchaninov, 1979
Realisation: Target Film Gmbh
copyright: Haralampi G. Oroschakoff, 1987
A Place of Passion (orig.: Ort der Leidenschaft)
Kunstraum Munich 1987
Already in the title of this video installation, the metaphysical conception resounds, as a realisation that all artistic production conditions nothing other than a continuous registration of reciprocal world views. The "double cross" as a spiritual-cultural sign of the "other Europe in the East" belongs to the space as a broken mirror, filling it with emotion as a body of sound. The field of ears opposite, the wheat in its moving yellow splendour, has meant a basic nutrient for body and soul since the beginning of time in harmony with the cultivated nature.

Hommage à Nicolas de Staêl, 2020, 2 min 20 s

Camera: Diana v. Hohenthal
Cut and sound: Haralampowitsch
Copyright: Hohenthal und Bergen, Berlin, 2020

Voyage sur la mer, 2020, 2 min 32 s

Camera: Haralampi G. Oroschakoff, Haralampowitsch
Poem: La mer (Haralampi G. Oroschakoff)
Ton: Fritz Graner
Copyright: Edition Hohenthal und Bergen, Berlin, 2020

The Holy Mountain, 2022, 5 min 52 s

Camera: Haralampi G. Oroschakoff, Alexander Rahr, Haralampowitsch
Montage: Haralampowitsch
Copyright: Edition Hohenthal und Bergen, Berlin, 2022

Vienna, you city of my dreams, 2023, 1 min

Camera: Haralampi G. Oroschakoff
Cut/Ton: Haralampowitsch
Soundtrack: Richard Tauber – Wien, Wien, nur du allein
Origian movie: Hears desire
Copyright by: Edition Hohenthal und Bergen, Berlin, 2023

Road Movie, 2023, 1 min 32 s

Camera: Haralampi G. Oroschakoff, Saša Thomann, Diana Hohenthal
Cut: Haralampowitsch
Copyright: Edition Hohenthal und Bergen, Berlin, 2023

Oh yeah Mama Dada, 2023, 56 s

Copyright: Edition Hohenthal und Bergen, Berlin, 2023

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